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Design Nomenclature / Color

Tetradic

Also called double complementary, square scheme, rectangular scheme

  • Color
  • Composition
  • 2D & 3D

Two complementary pairs together, arranged as a square at ninety degrees or as a rectangle at unequal intervals. Four hues is more than most compositions can carry, so the scheme needs a firm hierarchy and in practice collapses to one dominant hue, its complement, and two accents.

Four positions marked at ninety-degree intervals on a hue wheel — red, yellow-green, cyan, violet — the chords between them closing into a square. Each hue faces its complement across the diagonal, so the square is two complementary pairs.

Not to be confused with

  • TriadicThree hues spaced 120 degrees apart: maximum spread with perfect symmetry, which is also the difficulty. Three equally strong hues compete for the same job, so a triad only resolves once one hue takes the field by area and the other two are demoted to accents.
  • ComplementaryA pair of hues opposite one another on a color wheel — but which pair depends entirely on the wheel. In RYB, blue opposes orange; in additive light, blue opposes yellow; in an opponent space, opposition is the negation of both axes. The schoolroom red-green pairing is a pigment convention, not a fact about light.

Treated at length in

3.0 Color and ContrastThe Universal Web — the chapter this entry summarises.

Related

  • Complementary
  • Triadic
  • Contrast of extension
  • Analogous

How this term connects

AnalogousColor harmonyComplementaryContrast of extensionTriadicTetradic
Related Confused with
  • Analogous
  • Color harmony
  • Complementary
  • Contrast of extension
  • Triadic

Referenced by

  • Color harmony
  • Complementary
  • Triadic
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